Covering Music, Film and Pop Culture
Nashville Film Festival Coverage via Jason T. Sparks, Our Man in Nashville There is a difference between the movies one usually sees at film festivals and the movies that usually occupy the multiplex. For...
Above is a podcast that interviews Jason Shawhan Nashville Film Festival Coverage brought to you by Jason Sparks, Our Man in Nashville The Crypt-Keeper at the Nashville Film Festival Graveyard Shift holds forth on...
Nashville Film Festival coverage provided by Jason T. Sparks, Our Man in Nashville Going to a film festival is its own experience. For the most part, it’s a positive experience. By the same token,...
Nashville Film Festival coverage by Jason Sparks, Our Man In Nashville I’m going to begin by saying that Bi Gan’s Long Day’s Journey Into Night 3D has, its title notwithstanding, nothing at all to...
Nashville Film Festival coverage by Jason Sparks, Our Man in Nashville INFREQUENTLY ASKED QUESTIONS: JENNIFER McSHANE The director of “Ernie & Joe: Crisis Cops” on her most recent project, and on documentary in general. The...
In tandem with our coverage of the Nashville Film Festival presentation of Cool Daddio, here Jason Sparks does a series of interview questions with the subject of the film, R Stevie Moore Something to bear...
Nashville Film Festival Coverage via Jason Sparks, Our Man in Nashville Matt Ratner’s Standing Up, Falling Down is about two characters trying to figure out the next chapter in their respective lives, which makes...
Nashville Film Festival Coverage via Jason Sparks, Our Man In Nashville The second night of Graveyard Shift shorts was, like the first night, an eclectic mix of horror, comedy, and surrealism; the second night,...
Nashville Film Festival coverage by Jason Sparks, Our Man In Nashville Because Lara Jean Gallagher’s Clementine is a movie about a failed romance between two women, I assumed that the titular Clementine would be...
Anna’s Halloween column on the Mexican films at Fantastic Fest in the Dallas Morning News can be read here.
